Garo – Vanishing Line: Season 1 – Recap/ Review (with Spoilers)
Garo – Vanishing Line is bloated and surely not going to push you to look into the other series under the Garo umbrella.
Garo – Vanishing Line is bloated and surely not going to push you to look into the other series under the Garo umbrella.
The final episode does what most of the season failed to make you do, care about the fate of the characters.
It’s the same ole, same ole, for Garo – Vanishing Line as villains are slain without really getting to have their moment.
It’s the beginning of the end and pretty much it is do or die. Either do find a way to stop King or die at the hands of his remaining minions.
At long last, we see King’s true form and… he kind of looks inspired by an Axolotl.
Sword and Sophie seemingly will only be in El Dorado for just this episode, but what happens seems to be part of the show’s redemption mission.
Once again the villains of the show get overexposed, but at least we get one step closer to Sophie being reunited with her brother – if he is alive.
You know how people will swear, “It gets better” when talking about a show? It seems Garo – Vanishing Line, is trying to convince us the filler is over.
We’re still nowhere near El Dorado, but Bishop and Christopher decide to try to kidnap Sophie and kill Sword. That’s something right?
Sword and co. still aren’t in El Dorado, likely won’t be until episode 18 at the earliest, but we do follow up on his younger sibling and his reason for wanting to go to El Dorado.
Rather than follow our well-established heroes, King’s right hand and left hand, Bishop, and Queen, are under the spotlight.
In what maybe the last filler episode before the aptly named “El Dorado” episode, Luke gets a cosmetic change.
Gina opens herself up to us a little bit as the show makes it clear that we won’t see El Dorado anytime soon.
“Family” is another episode which gives one noteworthy detail while the rest feels like filler.
We still have yet to reach El Dorado with Sophie and Sword, but we do meet the contact who will be joining them on the journey
We dig deeper into the past we saw in “Intricacy,” in terms of learning about Luke’s mom and dad.
“Setting Off” is more like “Setting Up,” as it acts as a transition episode before the show moves into the west – where El Dorado is assumed to be.
It’s an all out battle of which we learn the safety of Sophia isn’t the only thing which has the Knights flared up.
Garo – Vanishing Line hits us with a shot of adrenaline as a representative from El Dorado appears and does something unforgivable.
A bit of Sword and Luke’s personal life gets revealed as we encounter a horror which has made itself into an entire movie theater.
Gina is back in town and finds a use for the ever persistent Sophie. She may be even gives her the blessing required to become a Makai.
Sophie is back and is putting all her time and efforts to find Sword. For he is perhaps the first person who may be able to provide a lead to find her brother Martin and El Dorado.
Outside of meeting Gina, and a mention of El Dorado, ain’t nothing much but ladies in bikinis and your usual action offered.
Outside of Luke being properly introduced, and it being established we’ll have episodic horror stories, nothing noteworthy happens.
Garo –Vanishing Line- decides there isn’t enough style in the action genre and so it overdoes it with a shaky camera.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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