As always, the guest to The Lunch Hour shake things up. But, this time around, it isn’t just the people on the dais who cause trouble and drama for Maxine and company.
I can’t remember where, but recently I read something to the effect of Netflix being the new HBO. Something which Castlevania adds fuel to. If only because, while gloriously violent, like some HBO shows, it is rather thin in story.
Screw whatever Scum’s Love comparison I made. Koi to Oso (Love & Lies) may have some similarities, but it is much lighter and can be jaw dropping without sexual content.
Game of Thrones remains perhaps the only show which can be more than 3 seasons in and still entertain its audience.
With Ernie defeating a behemoth, so comes the question of what is next? Well, revolutionizing the Silhouette Knights of course. Which definitely brings some unfriendly eyes.
Well, consider me sold. A quite intriguing detail is revealed this episode and now I’m so hooked on seeing how it unfolds.
The Read warned me that not all of Jill’s remixes to old favorites I was going to rock with. However, whether she was preaching to the choir at NJPAC or starting a dance party, Jill Scott made sure your price of admission was worth it.
A Life Not To Follow plays out like a book adaptation. One in which you get multiple connected stories, from the different players involved, before it all ties bind in the end. In which you are given just enough to see how all things are connected.
To The Bones makes it so you officially can’t say Lily Collins is living off her father’s name anymore. For she proves herself as an actress just as capable of being a romantic lead as someone whose story can be emotionally heavy and heartbreaking.
With the way things seem, don’t be surprised if the Gods and Demons join forces to rebuke Charioce and the humans he represents.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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