Season or series reviews of shows, summarizing all you need to know in one post.
Overview The prequel to Grisaia no Kajitsu (Le Fruit de la Grisaia) is much darker, a bit more shocking, and definitely more screwed up. Though, it certainly gets the job done in providing us how come Yuuji is the way he is.
The End of the F***ing World is undoubtedly Netflix’s first big hit of the year, and one of the few which may not be overhyped.
Like many a violent and graphic anime, while Devilman Crybaby starts off strong, it loses steam quickly and avoids the more interesting avenues it could have taken.
Every now and then a show comes along which you didn’t anticipate for it wasn’t on your radar. Rokka no Yuusha, for me, was one of those shows. Thankfully though, superficial curiosity led me to read the summary and somehow within the first few minutes, I knew I found something which certainly had to be…
As a new year begins in Riley’s life, she is reminded that despite life often focusing on bending to her will and whims, she is not the center of the universe.
Introduction Gangsta. strangely takes your usual mafia, crooked cops, and slightly nuts hero trope and brings some sort of freshness to it by doing one thing many animated programs aren’t good at: balance.
Though certainly a bit cheesy, and featuring the comedic style of many Disney Channel shows, Girl Meets World has just enough of Boy Meets World to be considered a success.
Overview What appears to be a slightly ecchi shounen harem, about a former military teen who gets the chance live some semblance of a normal life, has more than what meets the eye.
Though void of drama and staying true to its genre’s name, “Slice of Life,” Just Because’s melancholy nature surprising can win you over.
SMILF is perhaps one of the few shows which doesn’t try to glamorize or make it a thing of comedy to be working class, or maybe even poor. Nor does it seek to make it into awards bait. It just presents life as many of us live it – fantasies of better and all.
In a way, The Bird Revelation, like Equanimity, isn’t really a comedy special. It is funnier than the latter but is definitely more about exploring ideas than telling jokes.
Dave Chappelle: Equanimity, isn’t so much a comedy special as Dave defending everything he has said and done when it comes to Trump and Trans people.
A complete [All 12 Episodes] recap/ review (with Spoilers) of the first season of Hai to Gensou no Grimgar (Grimgar of Fantasy and Ash).
Juni Taisen (Zodiac War) is the ultimate showing of a program peaking too soon and then nose-diving off a cliff.
Season 2 of Good Behavior really pushes your suspension of disbelief to trying levels. Especially in terms of Letty’s silver tongue.
The first half of Star Season 2 pushes us 5 months after the season 1 finale and it seems despite the major career step, everyone’s personal lives remain in disarray.
The Marvelous Mrs. Maisel does stumble a bit in its first season, but ultimately its charm sees it through.
There comes a certain point where you wonder if this is a comedy special or people are paying to be this man’s silent therapist.
Spike Lee’s modernized She’s Gotta Have It finds the middle ground between shows like Insecure and the TV programming of Lee Daniels and Mara Brock Akil.
Michelle Wolf’s Nice Lady is a comedy special for a different kind feminist. You know, the ones which could care less about always being politically correct.
Who said you need fancy animation and an Oscar bait kind of story to make something as tear-inducing as Hey Arnold: The Jungle Movie?
Better Things remains a show without any direct peers and it makes you wonder why it took so long for someone to give Pamela Adlon a show?
Queen Sugar remains one of the top shows if you want a diverse depiction of Black folk. However, one could argue they took advantage of that monopoly in the 2nd half of the season.
Barbara: The Music… The Mem’ries… The Magic! Will surely turn any casual fan, or those who know Streisand just for her acting, into a fanatic for her music.
DeRay Davis: How To Act Black doesn’t push you into thinking Davis is overdue for a special but is still enjoyable nonetheless.
Stranger Things’ second season not only presents a serious new villain, and more complicated characters but also finds a way to make minor characters more relevant.
Mea Culpa is like a Spanish language version of Amy Schumer’s infamous Leather Special.
Alias Grace is a reminder that big and showy performances are by no means needed to get the point across. Sometimes just a bit of coyness, dagger like stares, and a tad bit of mystery is all that is needed for entertaining and award-worthy performances.
After being away for nearly a decade, Raven Symone and Anneliese van der Pol return to the Disney Channel and quickly adapt to the culture change since That’s So Raven ended.
While Liar starts off strong, as characters make ridiculous decisions and the truth gets revealed too early, it flounders.
Big Mouth strangely finds a way to present the vulgarity of one of its few peers, South Park, alongside having the type of heart that the Disney Channel has recently afforded its shows.
Quite honestly, with what we get in Blade Runner: Black Out 2022, I’d rather have this be a series than us getting Blade Runner 2049 Director: Shinichiro Watanabe
Some of the greatest comedians from the original Def Comedy Jam hit the stage, but mostly to read off prompters and introduce clips and others. Leaving only a handful of moments where you understand how this show became a hit.
Insecure: Season 2 for some characters was a stepforward. One in which you could see maturity and growth. However, sometimes becoming a better person is just uncomfortable so some end up regressing. More on that below.
While Jeff Dunham’s stereotypical puppets are losing their edge, Walter and Peanut help show Jeff still has it.
The Bold Type is the perfect mold between FreeForm’s primary focus and that of its former identity, ABC Family. We get both FreeForm’s obsession with young, modelesque young adults while we get what ABC Family did best. Which is pushing the envelope, bring about diverse and intriguing stories, while also catering to that a teen…
While Lynne Koplitz: Hormonal Beasts won’t lead you to question why it took her 20 years to have a special like this, it will lead you to wonder why haven’t you heard of her before?
While not a potential classic, and kind of disappointing after Girl’s Trip, Tiffany Haddish: She Ready! From the Hood to Hollywood is a decent comedy special.
I can’t remember where, but recently I read something to the effect of Netflix being the new HBO. Something which Castlevania adds fuel to. If only because, while gloriously violent, like some HBO shows, it is rather thin in story.