Ash (2025) Review
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“A Thousand Faces” feels like a play where two people needed to take a long hard look at themselves, through the reflection of another.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“Totto-Chan: The Little Girl at the Window” is a sweet movie, which not only gives a historical peek into Japan in the early 1940s but also delivers Totto-chan to the world.
“Salta” also known as “Jump” is one of the sweetest sci-fi family movies you may ever see, especially one that doesn’t involve someone being dead or trying to prevent a death.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“The Unbreakable Boy” will make you cry because of the performances that get you so invested in the individual and shared lives of the characters.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“Sugar Baby” is strangely not as explicit as the TV-MA rating would lead you to believe and fits the mold of being too tame despite its subject matter.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.