Bird In Hand (Tribeca 2025) Film Review & Summary
Bird in Hand presents several opportunities for meaningful conversations, but often sidesteps them—without quite offering enough humor to make up for what’s missing.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Bird in Hand presents several opportunities for meaningful conversations, but often sidesteps them—without quite offering enough humor to make up for what’s missing.
Rosemead goes beyond giving Lucy Liu a rarefied role and highlights mental health in the Asian community as rarely seen.
A Second Life, through the gentle performances of Agathe Rousselle and Alex Lawther, may cause the type of tears that don’t come like a gut punch but from feeling allowed and safe to do so.
Cuerpo Celeste challenges viewers immensely as it hooks you in with the sense of community it presents, and then forces you to yearn and mourn what it initially sold you on.
The Travel Companion travels light in regards to giving you something, or someone, you’ll actively want to invest in for an hour and a half.
Lemonade Blessing provides a different kind of coming-of-age film, especially with the inclusion of faith, as it shows the conflict in ways that don’t feel sensationalized.
Dangerous Animals more so scratches an itch than gives you the type of horror film that can haunt your brain.
Sisters, in showing both chosen family and blood family, and the unique benefits and liabities of both, reminds you why both are necessary.
Lost In Starlight, as its leads work through their personal anxiety and trauma, reminds you what finding “The One” looks like.
Like the majority of Disney’s live-action adaptations, the nostalgia is there, as are modifications which are hit and miss, but Lilo and Stitch could still be worth seeing.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.