Borderline (2025) Review
A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
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A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
“Locked” gives you an idea of what the 1% wishes they could do in reaction to those who, at best, inconvenience them or, at worst, make them feel unsafe.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“A Thousand Faces” feels like a play where two people needed to take a long hard look at themselves, through the reflection of another.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“Totto-Chan: The Little Girl at the Window” is a sweet movie, which not only gives a historical peek into Japan in the early 1940s but also delivers Totto-chan to the world.
“Salta” also known as “Jump” is one of the sweetest sci-fi family movies you may ever see, especially one that doesn’t involve someone being dead or trying to prevent a death.