Jane (2022) – Review/ Summary (with Spoilers)
In “Jane,” we’re reminded of the desperation high school seniors have to get into the right school, get the right job and have the lives they desire.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
In “Jane,” we’re reminded of the desperation high school seniors have to get into the right school, get the right job and have the lives they desire.
With Mike finding a father figure, you see him flourish in ways that make Mike’s bad luck so heartbreaking.
Grace is a major theme in this episode as apologies are issued, and paths to reconciliation are paved. But that doesn’t mean multiple mistakes will be allowed.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
In order to save their documentary, Carlos has everyone play reality show archetypes, leading to everyone’s acting exposing their truth.
“Motherland: Fort Salem” comes to an end by presenting a new beginning. One which sadly had an unexpected sacrifice.
With being put in a vulnerable position, Eric evaluates his position and next move as Yasmin worries about her family’s wealth and how it defines her.
“Game of Thrones” returns with a familiar family name, but with deepening the history comes both a familiar and fresh tale.
In “The Immaculate Room,” a couple is challenged with being together in a room for 50 days with no distractions, and it unfortunately is as boring as it sounds – but it didn’t have to be.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
It’s time for the men to step up or get eliminated, and between being too flirtatious or playing it too cool, someone is about to go home.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
Netflix’s reigning softcore porn franchise returns with a new entry focusing more on Laura than the men she loves and lusts after.
“Look Both Ways” reminds you that what is meant for you will happen, whether you have a child or not.
“Beast” is an unbelievable action film that presents a meager attempt at an emotional father/daughter relationship.
A new character brings us closer to where Sam and Violet might be, but their history with Baltasar may leave us on a cliffhanger.
Corbin Bleu returns, and between him and his camera person, they are looking for drama! The thing is, EJ and the rest are trying to keep their issues under wraps.
Insecurities and vying for a married man lead a young woman on a journey of sexual exploration.
As we come upon the end of “Motherland: Fort Salem,” we get a quick resolution for the Bellweather Unit and a reprieve from all the drama they’ve experienced.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
While “Learn To Swim” may give you faint nostalgia for “Love Jones,” the music keeps you far more than the relationship drama.
As the next generation learns their seniors’ tools and begins to snatch away their power, some decide to pull rank – to varying success.
In the second season of “The Ms. Pat Show,” you get what is expected, mostly in good ways, but like its first season, it doesn’t necessarily end on a high note.
While, thankfully, no one dies in the season finale of “P-Valley,” that doesn’t mean everyone gets a happy ending.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
With the men having the power to eliminate, it makes women asking the wrong kind of questions dangerous if they want to stay.
“Fall” will make your anxiety skyrocket and create moments when you will suspend disbelief and hold your breath as you question whether the leads will live or die.
It’s Valentine’s Day, and for many, it is a turning point in their lives and relationships and coerces difficult conversations.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
“The Resort” follows up on what happened with Sam and Violet after Alex found them, and Baltasar questions Emma and Noah to the point of new evidence and a personal reveal.
Between learning who plays who in “Frozen,” a surprising relationship, and hearing the Ballad of Shallow Lake? The campers are keeping things quite interesting.
Desperate times lead to desperate measures, which means Petra, Abigail, and Tally do what must be done for the sake of witches as a race.
In the latest episode of “Industry,” characters find a way to gain power without someone else giving theirs up.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
It’s election night, and the grand re-re-re-re opening at The Pynk, making an appearance by Megan Thee Stallion, aka Tina Snow just the icing on the cake.
Amber Midthunder commands this “Predator” prequel that may lack notable characters beyond hers but provides the kind of violence expected.
Potential end-game couples start emerging as the men are on the chopping block.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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