Be it the characters’ perceptions, the jokes or drama, or simply because it seems all the time and effort made into the production seriously just paid off, this is a show to watch.
Be it the characters’ perceptions, the jokes or drama, or simply because it seems all the time and effort made into the production seriously just paid off, this is a show to watch.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
Guy Ritchie’s “The Gentlemen” is a Netflix series that parodies the elite and the crime worlds they operate.
Netflix’s “The Vince Staples Show” plays out like a Saturday morning cartoon for adults.
OWN’s longest-running franchise, “Ready To Love,” has a new season each year, or sometimes six months. With “Ready To Love: Make A Move,” the formula is modified so that it is only alumni, and the four can’t be eliminated as they once again go on “The Journey.”
Nathan Fielder and Benny Safdie’s “The Curse” has carved its own path of social discomfort and magical realism unlike anything on television before.
As bullets and knives fly in every episode, the secret weapon in Netflix’s “The Brothers Sun” is the family at the heart of its story.
While “Black Cake” does have its lulls, when focused on the lead character’s children, outside of those two, you have one of the best Hulu releases, if not shows, of the year.
“The Ms. Pat Show” stays the course as it explores more challenging themes and perceptions and seeks a balance between laughter and processing trauma.
Hulu’s “The Artful Dodger” is an unnecessary spin-off of “Oliver Twist,” but great characters and acting make it fun escapism.
Netflix’s “One Piece” adaptation is like Iñaki Godoy’s Luffy: scrappy, energetic, and underdog to cheer for. Newcomers and fans should take this voyage together.
“A Perfect Story” is a Spanish romantic comedy with charming leads in Álvaro Mel and Anna Castillo that remind you of all the fun and messiness of falling in love.
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
A Black Lady Sketch Show may be missing some old cast members, but Robin Thede, Gabrielle Dennis, and
Skye Townsend become comedy all-stars.
“Primo” will ruffle your hair and give you a big bear hug in this warm and rewarding comedy.
Swarm centers around a quirky super-fan has an extreme obsession with the fictional pop star, Queen Ni’Jah, which leads her down a rocky path of self-discovery and murder.
The Muppets Mayhem is the wackiest and most inspired Muppets project in a near decade.
Mando, Grogu, and Bo-Katan work to unite the varied Mandalorian factions under a growing threat from Moff Gideon.
Beef is fun, frustrating, and always fascinating due to raw performances from Steven Yeun and Ali Wong.
All it takes is a moment to single-handedly tear apart a family while decades were spent building the legacy.
Rian Johnson and Natasha Lyonne’s Poker Face is a character-driven mystery and my favorite show of 2023 so far.
In the first adaptation of Anne Rice’s Vampire Chronicles in serial form, race swapping isn’t the only notable thing about AMC’s version of “Interview With The Vampire.”
“Atlanta” ends its run without any desire to conform to the expectations of a final season, as it continues to have a loose arc for its characters.
“Reasonable Doubt” is the child of the Blackness Mara Brock Akil put into “Girlfriends” mixed with the drama Shonda Rhimes popularized for crime dramas.
“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
The final season of “Queen Sugar” delivers in a way few long-running series have done.
While Jenna Ortega makes a superb Wednesday, unfortunately, they put her in a world reminiscent of the “Chilling Adventures of Sabrina” with boy drama and a mediocre mystery.
“Tell Me Lies” may appear to be another young adult drama, but as it explores the interpersonal relationships between the core friend group and some of their families, it breaks away from its peers.
With being story-driven more than character-driven, “House of the Dragon” may seem like it has learned from its predecessor, but in reality, it is simply taking a different approach.
“Industry” returns and doesn’t experience a sophomore slump despite a bit of a time jump and the inclusion of new characters who are a bit underutilized.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
Season 5 of “The Chi” continues to give what is expected, in terms of presenting a complex view of the city, while making improvements to how the girls and women are developed.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
Season 3 of Atlanta is about growth from the main cast and Glover flexing on the strength of Atlanta nearly every other episode.
From raising children, creating new families, and rediscovering themselves, Elena and Lila may struggle in their friendship but find ways to flourish in their individual lives.
While it may not consistently live up to its name, there still is no denying everyone’s potential.
Season 2 feels like the end of a significant chapter in the show, and the start of a new one which could potentially revitalize the show.
Jobless Reincarnation is the epitome of a show being so good, you’ll excuse the one thing that would tank any other show.
With an FX/ Adult Swim vibe, Luv U Cuz might be one of the strangest animated shorts out of NewFest but might be one of the most memorable things we’ve seen overall.