Asleep In My Palm (2024) Movie Review
“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.
Films that either received a limited release or are released digitally, but not as part of a major streaming distributor.
Films that either received a limited release or are released digitally, but not as part of a major streaming distributor.
“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.
Andrea Bang stars in “Float,” which puts a dry romance front and center over all the ways this could have been intriguing.
In a movie that may have more scenes of landscapes and walking than dialog, viewers are pushed to notice the subtle shift in dynamics between a father, daughter, and the father’s odd friend.
“Exhibiting Forgiveness” might be a challenging watch for anyone who has a less-than-ideal relationship with a parent, especially if drugs and family violence is why.
“Something You Said Last Night” exists in the very tame depiction of LGBTQ+ issues, and as much as it makes clear that something is going on with the lead, it doesn’t dig deep in any form or fashion to get you interested.
Ramon Felipe Pesante and Jenni Ruiza’s “Playing Sam” is a strong showcase for Ruiza’s talents and a love letter to any struggling artist.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
The film ‘Mickey Hardaway,’ is a thought-provoking narrative that showcases the poignant themes of mental health, its associated stigmas, and the mutable power of resilience, making it a must-watch for fans of deeply moving indie flicks.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
“The Listener,” focused on a peer crisis hotline worker, is a stirring, frustrating, and potentially tear-inducing film.
Margaret Qualley presents a dictionary-worthy depiction of mind f*** that deserves notice.
Keke Palmer’s “Big Boss” certainly had the potential to be something notable, but the music interrupts what brings the film value.
“Monica,” in avoiding dramatics or the usual trauma porn feel of LGBTQIA+ stories, presents something which leaves you wanting more, in good and bad ways.
While a slow movie to start, as Maggie starts to be honest and Lloyd opens up, it becomes a beautiful father/ daughter story.
“Summoning Sylvia” is one of the funniest horror movies you may ever see, that is intentionally funny and good.
Intense in every which way the word can be used, “A Brush of Violence” hits hard, doesn’t overstay its welcome, and leaves you wondering what Daniel Lawrence Wilson may produce next.
“Winnie The Pooh: Blood and Honey” feels like a throwback to when slasher movies began, and the goal was to freak out the audience with intense visuals.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
While the visual and sound effects for action scenes may deserve a side eye, there is so much going on with the story that you might be willing to forgive the flaws in “Imani.”
Two friends from high school reunite at a party, and there is the question of whether a crush might become something more.
While “Living” can operate as a joke of how bureaucracy can kill the soul, it also pushes you to remember your part in making a life easier or harder.
In “Lullaby,” Jewish faith is used to develop this horror film in ways you have likely not seen before.
In this supernatural crime thriller, Martin Lawrence may not take a career turn like his peers, but he does find himself in one of his best productions in years.
“Aftersun” is a dry, slice-of-life family movie that makes you wonder if you missed something of note while watching.
In this moving, biographical first feature from writer/director Elegance Bratton not only gives a stirring film but pulls from Jeremy Pope and Gabrielle Union the best performances of their careers.
Love blossoms, and apparently in a literal sense for Lily, as a new classmate catches her eye.
Being caught is always the worst nightmare but can it be different when you’re a girl and the person is of the same sex?
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
While the church is one way to meet people, what about meeting other men when you’re not sure of yourself?
“All I Ever Wanted” reminds you that sometimes, what you desire, has always been there.
“Lucky Fish” gives you the kind of cute moment between two people that can bring on happy tears.
“The Birth Of A Beautiful Butch” shows you why being your authentic self is the key to internal and external confidence
The slow burn that “Stay The Night” delivers a different kind of “Meet-Cute” story that makes every awkward and frustrating moment worth it.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
As long as you start “The Harbinger” recognizing it is an indie movie, not a big-budget production, you can forgive its flaws and enjoy what is given.
In “Jane,” we’re reminded of the desperation high school seniors have to get into the right school, get the right job and have the lives they desire.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.